PDF Ebook Dancing at the Edge of the World: Thoughts on Words, Women, Places
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Dancing at the Edge of the World: Thoughts on Words, Women, Places
PDF Ebook Dancing at the Edge of the World: Thoughts on Words, Women, Places
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Audible Audiobook
Listening Length: 14 hours and 27 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Blackstone Publishing
Audible.com Release Date: January 22, 2019
Language: English, English
ASIN: B07MZYND81
Amazon Best Sellers Rank:
I love the essays she writes about life, writing and her philosophical insights into what it is to be human.
We studied this book in our Sunday School class and it was very interesting. It collects a lot of Ms Le Guin's writing and is very thought provoking and engaging.
Dancing at the End of the World - Ursula K. Le Guin [2014-03-10 513] "Dancing at the End of the World" (1989) is a collection of essays, talks, reviews and some travel notes by the highly esteemed author Ursula K. Le Guin. For many years I have greatly admired her novels particularly "The Lathe of Heaven". I am cautiously optimistic that by reading non-fiction books by authors I hold in high esteem I may become more nuanced in my appreciation of their fiction. I sought out this book because I had reviewed the table of contents on the ISFDB (Internet Science Fiction Data Base) and I greatly desired to read a couple of items - a book review of a C.S. Lewis collection and an essay titled "Where Do you Get Your Ideas From". Both readings were informative but the essay was of particularly interest. To summarize ideas flow up from the subconscious and are an amalgamation of life experiences. I surveyed the book from cover to cover sampling a page or two from each entry. To be honest, with one exception, and the two pieces noted I passed on the other writings. The unexpected gem of this book for this reader was a diary like essay about Ms. LeGuin's experiences during filming of her novel "The Lathe of Heaven" - note the 1980 version! Very interesting and informative indeed to this reader since I was not previously aware it had be make into a movie and as it turns out twice - but that's another story altogether.
Written as if on a vacation in the form of bad female poetry. Not worth it.
I had never read a word of Ursula K. Le Guin until I recently picked up "Dancing at the Edge of the World," a chronologically arranged collection of essays, talks and book reviews written by Le Guin during the period 1976 through 1988. It is a collection that is intended, in the author's words, "[to] provide a sort of mental biography, a record of responses to ethical and political climates, of the transforming effect of certain literary ideas, and of the changes of a mind."Each of the essays listed in the table of contents is denoted with a glyph that categorizes the essay as dealing with feminism, social responsibility, literature, or travel. This categorization gives the reader a good idea of the range of the collection and of Le Guin's interests, which extend far beyond the science fiction genre for which she is most well known.The quality of the essays is uneven. Some of the travel pieces are soporific ("Places Names," "Along the Platte" and "Over the Hills and a Great Way Off"), although they might be more interesting to readers who have been to the places Le Guin describes. Other pieces seem to suffer from the loss caused by transforming what were originally spoken presentations into writing. The feminist writings in some cases are the victim of changing times. What is useful, however, even in these weaker pieces, are Le Guin's introductions, which provide a useful contextual background that helps the reader understand the import of the essay.While some of the essays are unremarkable, there also are several exceptional writings that are worth the price of admission. I refer, in particular, to the 1988 essay, "The Fisherman's Daughter," which provides a provocative and interesting discussion of women and writing, a text that follows in the line from Virginia Woolf's "A Room of One's Own" through Tillie Olsen's "Silences," drawing heavily on both authors for another view of this much discussed literary/feminist theme. I also refer to the essays from 1986, a very good year for Le Guin insofar as the six essays included here from that year all provide interesting and worthwhile glimpses at why her writing is so well regarded. In particular, I enjoyed "Bryn Mawr Commencement Address" and "Text, Silence, Performance," two essays that illuminate the ways in which spoken and written language, and the privileging of certain communicative forms over others, affects the world.Despite the shortcomings of some of its essays, "Dancing at the Edge of the World" provides a fascinating picture of Le Guin's worldview, successfully painting the "mental biography" of one of America's more interesting and accomplished writers during one decade of her life.
Around pp. 165-167, in the essay "The Carrier Bag Theory of Fiction," LeGuin discusses the possibility that the first human invention was not the weapon, but the container -- the sling, the sack, the bag, the carrier. (I remembered it as "the vessel," but that term doesn't appear in the book.) What good is generating a lot of stuff to eat if you don't have any way to get it back to camp? She argues the point persuasively and passionately.I read this book in 1991 or 1992, nearly 20 years ago. I've not seen the idea anywhere else (although she cites an anthropologist writing in 1975) but it has shaped my perception since. Not to diminish the rest of the book, but this single idea in this one essay is, I believe, worth getting the whole book for.
This was an author I had never heard of before, but I grabbed it among the other 25 from the high school library where I used to teach. I found the book to be a very mixed bag of some interesting pieces--the names piece in traveling across Us, some of the poetry, the Mills college graduation speech among them. But too many of them i just really couldn't get into. In checking some info on the author, i see she has done some great things which I agree with in many fields and she lives in my favorite US town (our daughter also lives in Portland). But I still cannot rank this book higher than a 3 (personally)
This author embraces all of her sister's qualities as experience arising in excellance. She is a wonderful writer clear and simple.
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