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To Show and to Tell: The Craft of Literary Nonfiction, by Phillip Lopate
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From Booklist
Lopate, a consummate and piquant essayist and director of Columbia University’s graduate nonfiction program, draws on his extensive teaching experience in this expert, anecdotal, funny, and frank guide to writing “intelligent, satisfying, engaging literary nonfiction.†Even in a how-to book, Lopate can’t help but write lithe and sparring personal essays, so we learn, for example, that he honed his chops as a ghostwriter. His sophisticated advice touches on psychological challenges as much as craft, such as when he names “self-hatred†as a “stumbling block†for writers, and, admitting his own audacity when writing about family and friends, instructs memoirists to be prepared to “accept the guilt†when people get upset. He also suggests developing a “tone of assertion.†Lopate draws helpful comparisons with fiction, noting that nonfiction also requires conflict and the “art of characterization†but that its story line is a thought process. Never one to accept received wisdom, Lopate encourages writers to go beyond the safe, facile, and sentimental. To see him practice what he preaches, turn to his newest essay collection, Portraits inside My Head. --Donna Seaman
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Review
“[To Show and To Tell] gives away all his trade secrets – a thoughtful guidebook for writers of literary nonfiction.” (New York Times Book Review)“One of the best guides to writing nonfiction I've read.” (The Cleveland Plain Dealer)“Sophisticated… Lopate, a consummate and piquant essayist,…draws on his extensive teaching experience in this expert, anecdotal, funny, and frank guide to writing “intelligent, satisfying, engaging literary nonfiction.” Even in a how-to book, Lopate can’t help but write lithe and sparring personal essays… Never one to accept received wisdom, Lopate encourages writers to go beyond the safe, facile, and sentimental.” (Booklist)“One of the Earls of Essay returns with a collection that illustrates both his knowledge of the genre and his considerable skill in practicing it… A useful collection of bracing thoughts and sinuous sentences.” (Kirkus Reviews)“At last--a reliable guide to the signature genre of the age. Phillip Lopate's tour of literary nonfiction includes brilliant and helpful considerations of the essay and memoir, placing them and their vexing questions in clear cultural context. Impossible now to imagine a nonfiction course that does not include To Show and To Tell in its syllabus. This is the rule book. But it's much more than a "craft book" for writers. It's a delight in itself, a fascinating exploration for readers, for anyone wondering why personally voiced nonfiction is so popular. The range is impressive, and the voice here is immediate, fresh, witty, winningly honest. An indispensible book.” (Patricia Hampl author of The Florist's Daughter)“Shrewd, revealing, dexterous, skeptical, provocative, restless, wry, necessary.” (Laura Kipnis author of Against Love and How to Become a Scandal)“The work of a master, To Show and To Tell is beyond compare, for it embodies a poetics of literary nonfiction that takes into account all the crucial aspects, elements, and issues of the craft. Thus it's the essential text for anyone who seeks to enjoy, to understand, or to write nonfiction.” (Carl H. Klaus author of The Made-Up Self: Impersonation in the Personal Essay)
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Product details
Paperback: 240 pages
Publisher: Free Press; Original edition (February 12, 2013)
Language: English
ISBN-10: 9781451696325
ISBN-13: 978-1451696325
ASIN: 1451696329
Product Dimensions:
5.5 x 0.6 x 8.4 inches
Shipping Weight: 7.2 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
52 customer reviews
Amazon Best Sellers Rank:
#35,028 in Books (See Top 100 in Books)
This book is mandatory reading in my "First-Person Journalism" class at Harvard. I've found it very insightful, and it has certainly improved my writing. Ideal for writers interested in refining their craft of first-person features and memoirs.
Clear, I don't have to guess, allows the breaking of some stifling rules, encourages me to let go of all the finger wagging do this don't do that and just write my experience from my heart. As soon as I read that a seven year old child has only about a five hundred word vocabulary, I rewrote first person present to first person past tense and unleashed my very challenging story alive on the page. The book is written by a master teacher all writers should read. Every single word. Don't skip any.
Philip Lopate has written an insightful volume about the importance of thoughtful reflection in recalling the events of our past in the writing of memoir. The goal is to bring our hard-won wisdom to the portrait of the I-character that we re-create from distant memory that is not only reflective, but that also rings true. The chapter on retrospective analysis and double perspective of the recalled I-character, with all her strengths, frailties, bravado, high spirits and/or foolishness, was a great help to me in my current work. Throughout this very entertaining, clearly written, intelligent, thought-provoking and challenging volume, Dr. Lopate challenges us to commit to reading more books, with a more discerning eye in our selection of the works of great writers, both from the past and those writing today. This kind of extensive and purposeful reading enables us to become more accomplished writers ourselves,learning from the great writers so that we may begin to increase in confidence and craftsmanship and begin to write at the very highest level at which we are capable. Write the truth with thoughtful reflection, rather than glib stylistic gimmickry, and you will write well, he advises. And his words strike a chord that rings true. No artifice. Just the well crafted, thoughtful telling and showing of the events, places, senses,and supporting cast of characters that surround the I-character in your story of a significant period of time in your life.. I highly recommend this book.Sheri Nelson Maclean, The Woodlands, Texas
I have been actively working on a handful of personal essays for about a year. I took this book along to a spa/writing retreat and found myself fully engaged in every chapter. I was chagrined to read Lopate's observations about typical student topics (loss of parents, friend trouble), and then bucked up to read how to cover these topics well--and much more. Great, readable advice on writing.
the author tackles a common question of nascent writers: how to show and make a point. First of many that I have read that validates telling what you want to say. In literary writing, the convention is to skate around the idea you are presenting. Lopate is the master and a respected professor. He breaks down the craft of effective persuasive essay writing. Read it, study it. Then read it again... I am.
I got TO SHOW and TO TELL: THE CRAFT of LITERARY NONFICTION, per my Professor's suggestion on the syllabus for the class I was taking at the University of Miami, FL. Anyone who is acquainted with Lopate knows that he's considered some kind of "Modern Master" of the essay. It doesn't matter whether or not you believe that. What's important is, there's a lot of information for anyone who wants to learn about the history of the essay and desires to write one. Having written a variety of prose, most recently having completed a novel, I can tell you I am baffled by the essay.TO SHOW and TO TELL isn't a book to teach you how to write or steps on writing an essay. For that I suggest you go elsewhere and seek your lessons and support in another book. Lopate assumes you have a handle on knowing whether or not you can write and if you are a writer. He doesn't spend anytime boosting the readers ego, while they're reading and trying a become better essay writers.In TO SHOW and NOT TO TELL, Lopate gets into craft and the history of the essay. Once you start reading you'll see like anything working for, it takes study, practice and reading the masters. This is the first book you want to start reading if you want to write essays.
Inexpensive and in perfect condition!
Lopate's study of the memoir was so helpful to me, especially his spelling out of how much a memoirist can tell as well as show. He separates fiction skills from non-fiction beautifully, making this a dandy book to use for writing classes. The chapters on essay seem added on and were less helpful.
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